A bit shallow and cliché for me(I mean sort of happy ending cliché). I hated it when Nancy judged Leo’s job, when she thought she was “a teacher” enough to talk Leo’s mother through his job, when she constantly changed her mind before they was about to have sex because of her shame or what, and when she undermined Becky’s hotel job. But at the end of movie I realized that I might just be mad at myself. I thought I was someone bigger, bigger than Nancy. i thought tha
小眼神全是戏哈哈,给苦口的良药一颗糖块,好电影立意深刻抛出的问题也得到了解决和疏导,虽然不是同类型片但我还是想起来(爱在系列),男女主角一场伟大的表演,有个小穿帮:男主第二次拿起酒杯以是第二次约,可是酒杯里还有一点酒,而两次约从时间看应该已经过去几天后了,这明显是剧务忘了倒掉第一次约时残留的哈哈
电影不算长,是一部非常像舞台剧的电影:限制在几个场景,主要依靠演员的表演、台词来推进故事,人物的形象也比较典型。
我有点认为,这是采取了电影的技术长处来实现的戏剧作品。它就这样细腻地、有条不紊地表现着这个故事。集中后二十分钟的冲突,也并不是多么刺激或者说特别,是可以预想到的类型。
但是直到电影的最后一个镜头,艾玛·汤普森的神情,我现在的确知道为什么那么多影评说从这部电影感受到了自由。很震撼,竟然可以这样通过镜头被记载被储存的方式,让人们看到一个女人的自由神情
【祝你好运,里奥·格兰德】细腻的喜剧片 生活的好运,也只能祝福了
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