天涯何处觅知音上一句

天涯何处觅知音

天涯何处觅知音上一句

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导演:
伊利亚·卡赞
演员:
沃伦·比蒂,娜塔莉·伍德,奥黛丽·克里斯蒂,帕特·亨格尔,芭芭拉·洛登,佐拉·兰帕特,弗雷德·斯图尔特,乔安娜·鲁斯,约翰·麦戈文

更新:2024-05-11 20:00

首映:1961-10-10

年代:1961

时长:124分钟

语言:英语

评分:8.0

观看数:6124

来源网:蝴蝶影院

“天涯何处觅知音”本片是韩剧鼻祖

有多少人最后能和心爱的人在一起?又是什么毁掉了我们伟大的爱?
这是一部感人的电影,两个挣扎于爱与情欲中的青少年,因为时代(20年代,大萧条前期)和他们overwhelming和overbearing的父母最终而分道扬镳。
他们为了讨好他们的父母,不辜负时代的道德标准,男孩选择了放弃,女孩由于承受不了压力而精神崩溃,被送进精神病院接受疗养,而这最终折磨着他们,永远改变了他们。那么他们是否还能再次感受到真正的爱情吗?结尾两人再次相遇,两人都已经settle for less,两人都明白时间已经改变了一切。在最后女孩又想起了华兹华斯的诗,她终于明白了她多年前在课堂上无法理解的“splendor in the grass”的意思。
我们没有在一起,你说不去想幸福这件事你就会幸福,我问:Are you happy now?,你说:not really, but it is close enough.

It works wonders when beautiful verses are weaved in with plots, especially as motifs. It struck you time and time again and made an ever so strong echo in your mind and heart.
William Wordsworth is probably my favorite poet in the English literature. I love his "I Wondered Lonely". The lines where the title of this movie comes from are also impressively beautiful, making the movie as poignant as possible.
Natalie Wood is so convincing as the tormented, love-sick young girl brought up to be good. And the debut of Warren Beatty is quite successful.
Natalie's portrait of madness is not over the top, thank goodness.
The movie ends on a good note, maybe still too good to be true. People sent to a mental institute do no usually turn out that normal due to the medical conditions at that time. Still, it's Hollywood and it got to end that way.

刚好最近在读美国20世纪二十年代的历史,所以更能感受其中。
全英文字幕看完了;还没看时,觉得片名很不错,看完觉得片名简直糟透了。
一部以大萧条时代为背景的青春片,有关性,父权,女性地位,“爵士时代”,“迷惘的一代”…
我也理解了“splendor in the grass”的意义,最终两人的相见场面怎能不让人叹息呢!
“splendor in the grass”出自英国诗人华兹华斯的诗句:
What though the radiance which was once so bright
Be now for ever taken from my sight,

  1961年的电影《天涯何处觅知音 Splendor in the Grass》
  看《Just kids》时提到的电影,便顺便趁着有时间找来看了,全片2个多小时,一下子就看完了,之前稍微看了眼豆瓣短评,提到社会性压抑问题,原谅我一开始就代入这个角度去看了,但显然它并不是光这个,性压抑只能说是社会时代背景之一。
  两个相爱的人为什么不能在一起。
  Bud和Deanie是坚定地爱着对方的,这是一个前提。但是他们要面对社会环境对性的过度压抑,父母对于他们秉持的不同态度等等问题。
  Bud在医院问医生,我很爱她

Two teenagers falling in love in Kansas 1928, Deanie and Bud (Wood and Beatty) are the ne plus ultra of high school sweethearts, he is a jockey born with a silver spoon, she is as lovely as a storybook princess, both parents are quite content with their pairing, then why, in Kazan’s SPLENDOR IN THE GRASS, apart from the fallout of the imminent and fateful Crash of 1929, their lives will be permanently scarred, and both opt for a settling-for-less middle ground.

“天涯何处觅知音”本片是韩剧鼻祖
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