福斯特对话尼克松

You know the first and greatest sin of the deception of television is that it simplifies; it diminishes great, complex ideas, trenches of time; whole careers become reduced to a single snapshot. At first I couldn't understand why Bob Zelnick was quite as euphoric as he was after the interviews, or why John Birt felt moved to strip naked and rush into the ocean to celebrate. But that was before I really understood the reductive power of the close-up, because David had succeeded on that final day, in getting for a fleeting moment what no investigative journalist, no state prosecutor, no judiciary committee or political enemy had managed to get; Richard Nixon's face swollen and ravaged by loneliness, self-loathing and defeat. The rest of the project and its failings would not only be forgotten, they would totally cease to exist.
你知道吗 电视节目的最大的罪行 或者说是诡计

电影没有仅仅把尼克松作为一个罪人去塑造。表现了他的刚愎自用、滔滔不绝自辩、捍卫自己的错误，他有政客的虚伪和狡猾，但也表现了他的自责和担当，在认罪之前他已经意识到自己输了，最开头想利用这次电视节目为自己重塑政治形象的目的已经落空了，这时候他虽然心情沉重，还是主动踏出了那一步，接受认罪这件事，撤掉伪装，表现出真实诚恳的态度。
开始尼克松选择福斯特有些不怀好意，福斯特的职业形象让他轻敌，他认为一个脱口秀娱乐主持人不过是小丑，在镜头前，会被他牵着鼻子走

一场政治斗争中，政敌总是假人民和信念之名，让你低头，然后把你象鼻涕一样在地上用脚抹。。错是对人民认的，原因是背叛了先人的政治信念。难能可贵的是在强大的外部压力和心理压力下，他坚持清晰的信念界定这两者的区别，所以即便这么大的一个错误上他也是斗志和忏悔同在，这不是一般人能做到的。我喜欢他，因为他高超的斗争技巧、高傲的心。
他是选择了要认错的，从他漫天要价、独自离开访谈中期庆祝会、醉酒之后的电话、感谢助手保护自己来看，他只是在选择一个方式和情景来认错。一个无关的

《对话尼克松》不是我TYPE
转载请注明网址: https://www.vschang2018.cn/post/23219.html