《午夜快车》有一个前期的段落，主角威廉海耶斯因为寒冷拿了监狱里的大私货贩子瑞福里的“货物”被子用来盖，结果被瑞福里联合狱警狠狠的修理了一通，整个脚被警棍打烂。当他从第二天醒来时，他发现自个儿被放置在一个洗漱台附近的房间。那个场景一开始的交代环境的主镜头让人记忆犹新，带着轻微的晃动，画面从上往下摇，昏暗的，带着尘土质感的光线零零散散地分布在空间里，监狱里分不清是清真寺样式还是东正教风格的窗阑被照耀出救赎的感觉，然而紧接着便是主角疲惫的痛苦模样。在那一刻
看评论前写两句，在加拿大的电影频道看的这个片子。看过越狱之后没有非常大的惊异，不过监狱的痛苦我想我肯定不能接受。有想到，现在在加拿大的日子就像坐牢，但是精神上的，不是真正监狱那种肉体和精神的双重折磨。电视上的版本删掉了探监的一部分，但土豆上有完整版的。主题音乐像是在一遍遍的哭泣，忏悔和对无尽头的压抑的控诉。有生之年，能亲身经历监狱的生活，如有机会出狱，才能感受自由的快乐。人在加拿大，生活安逸，精神却无助而孤独。想回家，但又不敢回，人生啊。
上課的時候教授要求寫的....參考了許多此板大大們的影評寫出來的...有興趣看看吧....:) ［劇情透露］
Midnight Express Movie Review
Almost all great films about prison break are not simply action-packed ticket-sellers that seek to thrill the audience. What makes these films great is the depth they went into to explore the darkest and at the same time, the brightest themes of human society and lives. Corruption, violence, sexual abuse, justice, injustice, homosexuality, dignity, love, freedom and hope, all of which are seen throughout the whole film. The setting itself is another interesting topic, meaning the prison, like a microcosm of the society outside. Overall, the film tells a story of man's endeavor to self-redemption and self-justice against odds from the political and structural obstacles of the real world, despite a sensible political undertone against Islamic nations.
午夜快车：深入人心的剧情片 What is a crime
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