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“超人：钢铁之躯”以我的水平，只能从家庭伦理言情剧的角度分析
This is the sort of superhero movie that I love, a perfect blend between the more conventional Marvel-esque flick with the critically acclaimed Batman series. While the mood definitely does have a Chris Nolan feel to it, Man of Steel is also action-packed and at times hilarious. Snyder does a masterful job at the action scenes, especially the final aerial battle. The movie could be faulted for touching on too many subjects, but I think it is the only way to make the film meaningful and not seem shallow. The themes of Earth VS Krypton and Kal's relationship with his father(s) has been a subject that is as old as the story superman itself, and it is presented solidly in this rendition. I am concerned with how the film will be moving forward, as I can already sense the sequel being about Lex Luthor and Kryptonite once again, let's just hope it doesn't ruin the series completely.
影片所讲述的漫长故事始于氪星，对氪星如此丰富描述在以往的超人电影中都是空缺的。但是这部分剧情可以说提供了推动整个故事发展的所有动力，也给出了电影聚焦的两个核心议题。其一，类神般存在的Kal-El能否融入地球的人类生活，他的出现对地球会产生怎样的一连串影响？其二，氪星人几乎绝种的境况到底是谁造成的？电影刚开始不久后也许就有人会对这样看似多余的背景展开抱怨，为什么我们不直接从地球开始，而通过回忆等形式插叙氪星呢？我不知道是不是诺兰作为编剧介入的缘故，毕竟编剧不止他一人，但是可以肯定的是这样做是为了挖掘超人电影的深度。（当然有诺兰的思路，隐藏克拉克身份，将其转化为一个符号，影片中说的希望。如同，隐藏布鲁斯·韦恩的身份，将他转化为一个符号化的蝙蝠侠，也即树立一个榜样。哈维登特是树立失败的典型。）
不可置否，以往的超人电影呈现的超人离我们多么远，他作为超人英雄的典型形象是多么扁平。我们能够娓娓道来超人救过火车、救过飞机，在《星球日报》当着随时准备变身的记者，爱上了编辑上司Lois Lane
“超人：钢铁之躯”以我的水平，只能从家庭伦理言情剧的角度分析
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